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Collection Introduction—Reading Feminist Theory: From Modernity to Postmodernity

An introduction and reading path for Reading Feminist Theory: From Modernity to Postmodernity, tracing feminist theory’s analyses of gender structures, class, race, sexual orientation, and geographical location.

Author: Susan Archer MannAuthor: Ashly Suzanne PattersonChinese edition translation: 网哲邻人部Translation: 甚谁Bot[AI assisted] · complete work

Introducing Reading Feminist Theory: From Modernity to Postmodernity.

(Collection Introduction)

Color illustration showing the upper body of a blue-haired anime character

Original book: Reading Feminist Theory: From Modernity to Postmodernity (Oxford University Press, 2016).

Editors of the original book: Susan Archer Mann (University of New Orleans); Ashly Suzanne Patterson (Southeastern Louisiana University).

About the book: Introductions + selections from original works; relatively up-to-date and wide-ranging coverage.

About the Chinese translators: The Internet Philosophers’ Neighbors Club (网哲邻人部) presents its 2022 tour de force: Neon Genesis Feminist: The Movie—A True Heart for You / まごころを、君に—3rd Impact.1 Tired of identifying with roles in our separate “island universes”—“I’m from a Double First-Class university, you’re an ‘elite’ Chinese student abroad, they’re a pretty, literary-minded girl”2—we are moving toward a free association for audacious labor driven by our interests: work with an endpoint. Perhaps we have our limitations—“otaku / bourgeois / bound to die.” Yet “if friends and kin in Luoyang ask after me: a heart clear as ice in a vessel of jade.”3 That ice-clear heart lies not in the interiority of “I truly yearn for XX! Believe me!” but in the historical ruins of what we have done.

A superfluous remark: We translators will make this theatrical–performative declaration by way of provocation:4 although there are disagreements among the constellations of feminist theory, there is almost no conflict in principle over completely abolishing such remnants of feudal patriarchal kinship as bride price / dowry—unleash the Smash-the-Four-Olds Fire Punch against capitalist patriarchy’s monsters and demons!5 If you doubt that, why not read the book through? We believe this book will contribute to the great unity and great emancipation of working people the world over, including women and men.

First published by the Internet Philosophers’ Neighbors Club; republished with permission by Lab on Roof.

(Serve it up, then.)

From the anthology’s Introduction, p. xxi:

Toward a history of the vanishing present . . .

—Gayatri Chakravorty Spivak, 1999

Constructing feminist theory is a social practice and a form of labor. Just as textile workers weave yarn and thread to create fabrics, feminist theorists weave concepts and ideas to better understand the gendered fabric of social life. Although all knowledge is socially constructed, doing feminist theory is a critical social practice directed toward better understanding and improving the position of women in diverse social locations.

Like any social theory anthology, the readings in this text ask big questions: “What is going on just now? What is happening to us? What is this world, this period, this precise moment in which we are living?” (Foucault quoted in Best and Kellner, 2001: 5). To answer these questions, readers are provided with a diverse array of readings that attempt to understand and to analyze the social world and how it came to be. Because this is a feminist theory anthology, attention centers on what these various social transformations mean for gender relations and for women of different classes, races, sexualities, and global locations. These different social locations present a multiplicity of lenses for viewing the world and each theorist provides insights into her or his own “vanishing present” that helps us to better understand our own (Spivak, [1999] 2006).6

The links below lead to the Chinese translation project’s readings.

General Introduction & Glossary

Chapter 2: Liberal Feminism—Introduction

Chapter 3: Radical Feminism—Introduction

Chapter 4: Socialist Feminism—Introduction

Chapter 5: Intersectionality Theory

Chapter 6: Postmodernism, Poststructuralism, Queer and Transgender Theory

Chapter 7: Third-Wave Feminism

Chapter 8: Feminism and Imperialism in Early Modernity

Chapter 9: Feminism and Imperialism in Late Modernity

Chapter 10: Feminism and Imperialism in Postmodernity

End
Notes06

Notes

  1. English translator’s note: A mock film title borrowing from Neon Genesis Evangelion and The End of Evangelion. The Japanese phrase repeats “A True Heart for You”; the Chinese “you” uses the specifically feminine character 妳. See the official film listing. ↑

  2. English translator’s note: “Double First-Class” names China’s initiative to develop world-class universities and disciplines. “Elite” renders gaohua (高华), a derisive internet label for overseas Chinese seen as considering themselves superior to other Chinese. ↑

  3. English translator’s note: From Wang Changling’s “Seeing Xin Jian Off at Hibiscus Tower”, translated here from the Chinese. Ice and jade signify unsullied integrity, not emotional coldness. ↑

  4. English translator’s note: The Chinese couples theatrical performance with performativity—speech as action—not “performative” in the dismissive sense of merely putting on a show. ↑

  5. English translator’s note: The phrase splices Tatsuki Fujimoto’s manga title Fire Punch into the Cultural Revolution injunction to destroy the Four Olds: old ideas, culture, customs, and habits. “Monsters and demons” was also used to denounce and persecute supposed enemies during the Cultural Revolution. ↑

  6. English translator’s note: The anthology’s note 1, p. xxiv, identifies the phrase as drawn from the subtitle of Spivak’s A Critique of Postcolonial Reason: Toward a History of the Vanishing Present. ↑

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